#Acid pro 7 dubstep tutorial how to#
Do Some EQ CarvingĮlsewhere we’ve talked about how to avoid getting a muddy sound. Those are where the bump hits the highest. By looking at it while you play your track, identify the main frequencies. This graph tells you what frequencies (in Hz) are present in a particular sound. In Ableton, find it under Audio Effects – it’s called simply Spectrum. Most DAWs come equipped with a spectrum analyzer – or an EQ that allows you to visualize the frequency spectrum. Here are a few tips that will help you mix your sub-bass without a subwoofer: Use a Spectrum Analyzer
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Earbuds won’t cut it – although I’ve heard people mix astonishingly well on those… I’m talking about over-the-ear quality headphones. If you don’t have a proper speaker setup don’t worry. No Subs No Problem: Mixing Sub-Bass Without a Subwoofer
#Acid pro 7 dubstep tutorial plus#
Plus your track won’t sound ‘boomy’ or ‘muddy’ in the final mix.ĭon’t know how to find out the frequency of a sound? Check out the “Use a Spectrum Analyzer” section below. That way it won’t interfere with your bass too much. Make your kick hit about an octave higher, around 120 Hz. Have the main frequency (the frequency that defines your sound or the one with most ‘energy’) of your sub-bass hit between 40-60 Hz. Try a different pattern that works with your track. At low frequencies just a pure sine tone generated with a synth is often the most powerful sub-bass. Sub-bass doesn’t require much processing (no need for compression or anything). This is what my drum pattern looks like (I used the Kit-Core 707 drum kit): Things to remember With my drum track, it sounds like this: My bassline sounds like this now (4 bars looped): Draw a MIDI pattern in the very low octaves on the piano roll (below C3) Drag your favorite synth or synth VST on that track.ĥ. I’m using Ableton Live but this applies to any DAW. I’ll show you how to make a huge central bassline using all sub-bass. In this sub-bass tutorial you’ll learn how to do the second option.
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As a supporting layer to your main bassline.Ok, so the two best ways to use sub-bass are: Here’s some examples of what powerful sub-bass sounds like (put good headphones on or use proper speakers – you won’t hear it on computer speakers): You need subwoofers to really hear sub-bass – soundsystem culture knows how to do this right.īut a pair of really good headphones will do! Think about the sensation of being at a club where you can feel the beat vibrating through your body. Sub-bass frequencies are so low you often ‘feel’ them more than you hear them. It starts around 60Hz and goes down to the lowest frequency that humans can hear, about 20 Hz. So here’s exactly what you need to know about sub-bass-including how to make it and how to mix it to get a massive sounding mix. A lot of home studios are not equipped with the speakers and subs that allow you to fully hear those frequencies.īut if you know what you’re doing, you’ll achieve great results without the need of a fancy sub. Sub-bass will give you a solid foundation to build your mix on.
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Understanding sub bass it key for making deep, earth-shaking basslines or for complementing other instruments with low-end richness. It’s all over music, whether it’s the main actor (like in dubstep or reggae) or a supporting role in a tune.
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Wanna learn how to make your tracks shake up the whole club?